Showing posts with label trance. Show all posts
Showing posts with label trance. Show all posts

Tuesday, November 29, 2011

REVIEW: CROWN THE EMPIRE - Limitless


It is an honor to review this release since I personally have been eager to hear this. The Dallas, TX six-piece have traveled a road that some of us may remember bands like Nevea Tears and Scary Kids Scaring Kids have paved with synths and keyboards overlapping a familiar post-hardcore sound. With bands now emerging like Scarlett O'Hara, Woe Is Me, and Abandon All Ships, some may say there is no individuality in this popularized genre. They obviously have not heard Crown The Empire.

Limitless is Crown The Empire's new debut EP which if you have a gander at their Facebook page, has been long awaited by loyal fans. The band takes its sound from today's post-hardcore scene but adds unique twists and solid song structure to ensure that they will not be just another clone.

The track 'The Glass Elevator (Walls)' captivates you with what sounds like a crowd screaming, "Break down your walls tonight, we're here to sing for you. Tear down your walls tonight, we're here to scream for you." A perfect start already with solid melody, haunting keyboard work and Andy Leo's captivating singing which has greatly improved from past demos. 'Breaking Point' flows right after and for those who previously heard this band know this from a previous demo. The song sounds fuller, cleaner and much better overall re-recorded. The track is full of catchy hooks and overlapping but not overbearing electronics. The next song 'Wake Me Up' is another track from a previous single that is my personal favorite and the band yet again has raised the bar with the re-release of the track. The electronics are more present on this version but not too overpowering. The vocals are much more clearer and defined as well as musically. 'Johnny Ringo' is a new track featured on Limitless which as well is a very intriguing song because it starts with a haunting melody that almost sounds out of place at first but this track probably is the band's most progressive track. 'Voices' follows with a cool electronic intro but goes into heavy breakdown and changes again into a clean hook. another catchy track that is sure to get stuck in your head. The title track 'Limitless' features Make Me Famous frontman Dennis Shaforostov as a guest. The track does not disappoint with a great mix of brutality and beauty. The closer 'Lead Me Out Of The Dark' is the clean finisher. Just clean singing and a piano which ends with the band's heart and soul out there for everyone.

The guitar work by both Brandon Hoover and Bennett Vogelman shows their range in sound in not just song by song but in every song, structure by structure. The keyboards and electronics by Austin Duncan is by far the best out of all the band's music thus far. Each part is as if he transitions with emotion where some parts make you want to move and jump around and others make you just want to listen closely and quietly. The bass by Hayden Tree is felt like a truck through your house if you are like me and blasted this right away with the bass nob all the way up. Brent Taddie's drumming was precise and not just following every note but had his own sound and view on each part.

This band has found their sound and has done an amazing job putting it into this release. Not one track sounded repetitive nor was there a moment that I wanted to walk away or skip a part. Each moment was like a new emotion or thought. For anyone considering ordering this, I suggest it immensely because not many bands nowadays can do what Crown The Empire has learned early on.

MY VOTE:
5.0/5.0

Monday, November 28, 2011

REVIEW: THE BROWNING - Burn This World



I personally have been wanting to review Burn This World since it's release on October 4th through Earache Records. This is the band's debut full length (the band did release a self-titled "full length" which was later released as two EPs).

The Browning, hailing from Dallas, Texas started originally as a side project by vocalist Jonny McBee became a full project last year. The Browning has to be one of the most adventurous and fresh sound right now. The band has taken two genres and mixed them in ways no other bands have dared to even try. With influences in trance and electronic music, they have blended metal and electronic music perfectly.

Burn This World features many favorites from the two EPs released before and some new songs everyone will be blown away with. Each and every track has a different feel and you may not hear any major guitar leads or sweeps or anything of that nature but the synths make up for it in many ways. With string arrangements in tracks like "Burn This World" and "Bloodlust", dark piano pieces in "Living Dead" and "Forgotten", and even dubstep in "Ashamed".

Aside from just the synths and sounds in the album, recently departed guitarist Brian Crevey stepped up the creativity level in his guitar work in what was once tracks that were breakdown-centric as heard in tracks like "Burn This World" and "Not Alone". Noah Robertson aka "Shark" brings his flawless drum work to the table with punchy kick and endless flowing fills. Jonny McBee's vocals have progressed immensely with his range being more defined making each part have an actual impact. Also, in tracks such as "Ashamed", Jonny screams "THIS IS WHO I WAS BORN TO BE, THIS IS WHO I WILL ALWAYS BE" which makes you feel connected to the band as if you are at one with everyone else who understands and feel these words. This is one of many memorable parts you will find yourself screaming along to.

Last but not least is the big surprise at the end of the album. For old fans of The Browning who know the band's first demo, they brought back a really old track titled "The Sadist". This track is an old favorite which will show new fans how the band started. Probably one of the million great things about this album.

This album may not be everyone's cup of tea but no one can deny the uniqueness and diversity in sound that The Browning has so perfectly found. This personally is my favorite album of the year. I see big things for this band in the near future.

MY VOTE:
5.0/5.0